Wednesday, May 12, 2010

A Word On Free Software...

Well there are a lot of free stuff available on the internet that allow you to work wonderfully well. So why go for more sophisticated stuff which come with a price? And the best thing is that they are available on the website of the company so that you do not need to go to some other download sites (which are blocked at many places and institutes...alas!) For example there is this wonderful software company that I have found: NCH. Well make a Google search and you will find it. The company specializes in making software related to audio and telephony but they have a host of other software as well. I found a few of their software especially useful. One is Switch. It allows you to convert audio files from one format to another and what's more is that it can convert video to audio as well....comes quite handful. Easy to start and no messy clicks. One simple click on the convert button and it will do the job for you. Another one is Wavepad. Its, as the name suggests, a wave editing tool and for those of you who are wondering what it is...it basically makes the wave pattern of the audio file you want and then allows you to edit it...I found it to be especially useful in case when you want to mix files (say for example you got to make a mix of tracks for a dance performance). It has a wonderful tool for noise suppression. I used it to make a movie. It was simply superb. Give the software a small noise sample and it will edit the entire audio clip and suppress noise...a job made easier for you! Apart from this it also has some other useful tools. Their other software like VideoPad and Prism are also worth trying they being for video editing and video conversion respectively.

So long so good. But the best thing about NCH is that their software are really really compact. I mean the setup files are hardly a few hundred kilobytes (max to max would be close to 400KB I guess). Easy to download even in the worst speed. I mean one can easily download them even using a Dial Up Connection (I bet most of you would have even forgotten what it is by now).

NCH allows you to download these setup with just a click and no questions asked. Well a drawback that a user might face is that the software are trial versions that work only for 15 days. No worries! The best thing is that they are fully functional trial versions. So you can enjoy full functionality in the 15 days that you use it. And once the trial is over you can uninstall it and then reinstall it. No problems. Use it again for another 15 days! And you can keep doing it for years...I have been....for over 2 years now...hehe....

Bring Forth Ye Shadow

Theatre of Tragedy is taking over me! The lyrics are just so amazingly brilliant that I have been listening to them over and over again. This one is from a song "Bring Forth Ye Shadow". Sheer brilliance I would say...

Time is an abyss -
Profound as a thousand nights;
I sojourn my haste, I make respites
For what availeth this eager peace?
One step more naught to face,
Save the heirloom fatal kiss.
I rave no more 'gainst Time or Fate,
For lo! my own shall ne'er come to me,
Yet! - Who doth my future narrate?
Dim the lights - I cannot see!
Bring forth ye Shadow! -
With whom danceth thou?
Time hath stopp'd -
Yet for others ne'er halteth;
For me the Pages of Life do not turn,
Lo! - on the funeral pyre they burn.
The oh so eathing Velvet Darkness they fear -
Heed! - wherefore delve a burrow,
When in my arms "O! Come here"? -
I say, elsehither is naught but sorrow!
For what deemest thou so dear thy blood
When through my veins it could flood? -
Bide to merry-make me unaptly;
And hence grant me the fell gift,
The gift of passing on the dark trick.
'Tis such a brazen act of erotic;
Trifle for thee, yet for me grandly thrift,
O! such an innocence depriv'd so hastily -
Alas, for what deemest thou so dear thy blood
When through my veins it will flood?


My Dying Bride

Kneeling beside her bedside
Clasping her frail hand
The lights are turned low
Fleeting tears deck my brow.
Outside the world is merry
Moonlight is bright and sky starry
But O for the pain in my heart
My bride lies here bleeding fast.
Faint memories stir in my head
But her hollow face sends them away
Her once crimson lips are now cracked pale and yellow.
I kiss her soft hand
The yellowed skin that once glowed with inner joy and light
Consumed by fever and plight
Her soul cries for deliverance
The devil chuckles in delight.
Favored by Fate
Death waits with its everlasting embrace
I can do nothing else but wait
And see her tear streaked face.
Her eyes are bleak and desolate
Hope fades away as if in disgrace
Together we wait for a new day
But tomorrow she shall not wake.

Knowing the IP of an Email sender

OK guys....so what if somebody someday hacks open your account and sends mails to all your friends? However you somehow manage to regain control of your account and now you wish to know who did this thing to you? Well one way to give you a clue is to get to know the person's IP address from which he accessed your account. This can be easily done if he has sent mails to somebody you know. In the following few lines I will describe the method of finding the IP of that person. I am assuming that you use either Gmail or Yahoo. If you use any other mail account then the same thing can be done but with slightly different clicks which hopefully you will be able to figure out for yourself.

Ask that somebody who has received the mail to open the mail. If you are using Gmail then:

-Click on the small inverted triangle next to the reply button (see the reply button? It's just next to the show details which is again next to the from line)

-Once you do that you get a drop down menu having options like Reply to all and filter messages blah blah blah. In that small list you have an option of "show original"

-Click on show original and a whole lot of details suddenly pop up in a new tab (if you using Mozilla Firefox. If you are not then too it pops up. No worries)

-Somewhere in the initial lines there will be a line Received from followed by some info and the IP address of the sender in the square brackets. There you go!

If the receiver is a Yahoo user:

-Open the mail

-Scroll down to the bottom of the page (not the mail but the page).

-There is an option of selecting the message encoding. We are not concerned with that. There is an option of Full Headers just next to this message encoding thingy. Click on it

-Whole lots of details pop up (in the same tab even if you are using Mozilla Firefox...duh!)

-In the tangled mess of all those details there is a line that gives you the IP of the receiver (Received from line).


However one of the drawbacks in this entire procedure is that if the mail has been sent using a Gmail account it is not possible to know the IP by this procedure because Gmail does not send this information in its headers. (Header is basically the whole lot of information that pops up apart from the mail content). But the procedure works wonderfully well if the sender is not a Gmail user.

One Sunrise Ago

One sunrise ago
The sun doth shine
Upon the horizon of hope and dreams
And sweet was the music
Of birds calling out to each other
Children playing in the streets
Shouting to each other
The cows sleepy at their pasture
The choir singing to the Lord
And the far away church bells
The ladies returning home
After a fun filled day of shopping
And weary yet happy fathers
Clasping at their daughter's hand
Taking them through the town fair
And small tough boys
Running away from their moms
The newspaper boy calling out to the crowd
The butcher at the corner surveying his shop
Glum looking kids with their heavy school bags
The baker selling biscuits to the child
A gift for his sick grandmother
Trees swaying in the evening breeze
Moon shining down on a world full of peace
Stars running merrily through the clouds
Love birds walk through the moonlit alley
Holding hands and promising
The night bird sitting
Crying to the night
A lone cat finding shelter in the trash bin
Peace and silence finally settling in.
One sunrise ago
The wind was cool and world so lovely
I used to sleep then
And my dreams were so pretty...

Without You

As promised in my last post, here is the story "Without You" by "Del James".

Although he wanted to share the dance, Mayne could not bring himself to interrupt such beauty. Her well-toned body swayed childlike, peacefully, slowly moving to the rhythm. Her innocence was enchanting, her beauty breathtaking. Mayne knew she’d be angry at him for sneaking about, watching without letting her know, but the teenage voyeur inside his adult body encouraged him and didn’t care about the consequences. Besides, this was for his eyes only. Her eyes sparkled, reminding him of the ocean, vast with beauty and mystery. A slight breeze danced through her lion’s mane. A full-length see-through dress covered her shapely body and a light glaze of sweat made her glisten. She seemed too beautiful to be real. During this split second of visual euphoria, Mayne conceded that she was the only woman he ever truly loved. Her eyes flickered. She must have heard me, he thought as she turned toward him. He didn’t want to ruin the beauty, only to enjoy it. Her thick lips smiled sympathetically. Then the song started growing in volume.

A sharp twinge of panic shot through him when he realized which of his songs it was. Cold sweat seeped out of his pores and dread consumed him.His vision spiraled as reality distorted. Breathing became difficult, complicated. Desperation attacked and twisted every muscle in his thin body. Much worse than the pain was his fear. Unsuppressable anxiety swept through him as he started toward the stereo. Everything lost its natural texture; the walls, the floor, the air became surreal. The louder the music, the more difficult he found it to move. He had to remove the compact disc but his feet felt like large concrete blocks. He couldn’t move fast enough. She already had the pistol’s barrel against her temple.

BLAMM!

Mayne awoke covered in sweat, a mute shriek still lodged in his throat. The past six hours had been spent in a drug-and-alcohol-induced coma that he put over as sleep. Sleep was a rare commodity and was impossible to achieve without some assistance. It didn’t matter whether he slept six hours or six minutes, the nightmare always managed to creep in. No sleeping pill or antidepressant could spare him. He had written the song and was forever damned by it. With unsteady hands, he wiped sweat from his brow and rubbed his fingers against the satin sheets. His silver and gold bracelets clinked together. Rolling onto his side, he stared at the digital alarm clock on top of the black night table that had a built -in refrigerator as its base. On top of the clock was a half-empty pack of Marlboros. He stared at the green digital numbers but they made no sense. It really didn’t matter what time it was anyway, his time was other people’s money.

Next to the clock was something more important than cash or time. Slowly he sat up. Tortured eyes scanned the black marble tabletop, searching for any leftover precious brown powder. There were burned matches, bent cigarettes, and empty bindles, but no dope. It didn’t matter. He could always have more delivered. Sitting on the edge of the bed, Mayne reached down and opened the night table’s refrigerator door. Inside were several Budweiser’s, baking soda, and a chilled bottle of Dom Perignon. He grabbed a cold can, killing half of it in one sip. He did this every morning. Instantly, his aching head began to feel better. Although he didn’t want to admit it, the time had arrived to rejoin the living. He knew he had to be at the studio soon but didn’t feel up to it. Besides, the recording of his latest album, Alone, had been finished over a month ago. The album was now in the final mixing stages. If Mayne liked what he heard, he’d approve it and the record would be released on schedule. If not, it would have to be remixed until he did approve. So then, what the @!#$ did they need him for? He procrastinated for as long as he possibly could before finally standing up.

Much like his bedroom, the bathroom was a disaster area. Discarded clothes, creams, trash, cassettes, and towels dominated the view. Using radar to locate the bowl, he found the porcelain, fought off the urge to puke, and relieved himself. He reentered the bedroom, not really feeling human, more like a robot dressed in rented flesh. There was a dull pain in his abdomen that he’d grown accustomed to. It, like many other flaws in his health, could be attributed to his excessive life-style. Besides his jewelry, Mayne only wore Jockey briefs. He stumbled over to his dresser, removed a pair of custom-tailored black leather pants, and changed. He found a dark purple silk kimono hanging in a walk in closet and put it on. In a dresser drawer was a gram vial of cocaine. Scooping with the long fingernail on his right pinkie, the tattered musician snorted eight blasts of rock ‘n’ roll aspirin. The kimono felt cool against his warm flesh. He wondered if he was feverish and concluded he probably was. He was always run down, as if with a perpetual fever. That is, of course, until he got his chip. He finished his beer, tossing the empty can in the general direction of a wastebasket that was already crammed with empties. Staring into a full-length mirror, the run-down recluse didn’t recognize the reflection. Sure, the long blond hair and tattoos gave him away, but he looked so frail. Mayne looked like someone who was ready for hospital pajamas. His once attractive face was blue, taut, and expressionless. A scraggly beard covered his chin and his emerald eyes were no longer
authentic gems, but rather costume jewelry. He needed a drink.

For the past fourteen of his twenty-eight years, he’d spent the majority of his time inside a bottle. Teenage beer and wine parties turned to vodka and rum at nightclubs, which in turn evolved into straight whiskey. Exiting the bedroom, he said a silent prayer to his patron saint, Jim Beam, asking that there be some in the liquor cabinet. An illuminating golden glow surrounded the thick blackout curtains. A small war had gone down in the living room the previous evening. Full ashtrays, assorted liquor bottles, empty and half-empty packs of cigarettes, and beer cans were strewn everywhere. Several CD covers were caked in cocaine residue. Mayne tried remembering who had been partying there and couldn’t. An empty pack of Kool cigarettes meant that one of his many dealers, Jamie Jazz had delivered something. It didn’t take very long before he made the connection between the empty bindles in the bedroom and Jamie. Jamie (pronounced Jay-mee) was typical Hollywood trash who hand delivered coke, toke, crack, or smack to troubled celebrities, exploiting their vulnerabilities. Mayne searched for more clues as to who else had been over partying but came up blank. He slid behind the bar that was adjacent to the kitchen and opened a cabinet. There were several unopened bottles of assorted white liquors. A nervous surge shot through his small stomach. What if there was no whiskey? He shuffled the bottles around until he found the proper one. A sigh of relief escaped him as he twisted the cap off and made a mental note that he needed to restock. The whiskey’s aroma was his equivalent of fresh brewed coffee. “Here’s looking at you, love,” Mayne said aloud, raising the bottle to his lips.

Like every day, one sip led to another. After several sips, he started feeling right. He put the bottle on the counter and made it to the refrigerator. If he was lucky, he’d be drunk before the day started. He removed another Budweiser and went back into the messy living room. There was a dull hum inside his cranium. He couldn’t differentiate whether it was cocaine-induced or the central air-conditioning. If only he could remember what day today was, then he’d know if a maid was scheduled to come by. She could bring booze. The musician sat on the couch, picked up the phone, and dialed 411.

“Operator. What city, please?”

“L.A.”

“Yes?”

“What day is it? Mayne asked sincerely, lighting a Marlboro.

“What?”

“What day is it?”

“Sir, I’m an operator.”

“Ma’am, you’re Information and I asked you a question,” Mayne corrected her. A snide laugh
escaped him. After a silent moment, she answered his question.

“It’s Wednesday, sir.”

“Thanks,” he said, and hung up. There would be no maid service today. This was not the way he wanted to start the day. He polished off the beer, finished his cigarette, and snorted more cocaine. After several confusing seconds, he remembered where he kept the large green garbage
bags and began straightening up the mess. Moving around the large one-bedroom condominium, he picked up anything that wasn’t bolted down and threw it out. Bottles and empty food containers stretched the garbage bag to a point where it threatened to rip open. After ten minutes of straightening up, the apartment began taking shape. Besides this condominium, he also owned one in Manhattan and another in Houston. He rarely frequented his Hollywood Hills mansion, or for that matter, his house in Maui. Both brought back too many memories of her. It was in the Hollywood Hills house where he and Elizabeth Aston had spent most of their quality time. As his thoughts began betraying him, thinking more about her, Mayne instinctively went to the bar and retrieved the whiskey bottle. He could think of her as long as he had a safety net. With all the money, fame, and success he had attained, it was the simple things like friendship and love that were the hardest to keep. He never meant to hurt anyone, especially those closest to him, but for some reason that’s who he usually hurt the worst. He never set out to be malicious, but by living under a microscope with the world scrutinizing him, any wrongdoing, public or private, tended to blow up in his face and often wound up as Nightly News. Personal flaws and @!#$-ups are not allowed of the elite. He often suffered silently, trapped by his own fame, until he needed out of his cage. But the cage was as wide as his eyes could perceive. All Mayne had ever tried to be, right or wrong, was himself. With all the doctors, specialists, therapists, fans, and everyone in his organization trying to help him, he just sank further into his cocoon, alienating himself even more. He often wondered who he really was. Was he another regenerated social security number automatically inherited at birth or a genuine reflection of society? Was he a phenomenon or just a facade? Was he a product of his own imagination or just another brick? Would he ever understand his own destiny?

Inside his mind, he analyzed why his relationship with Elizabeth had failed more times than were countable. Like the scholar he wasn’t, he dissected situations, pondered things he should’ve said and shouldn’t have been caught doing. When it came to sex, why couldn’t Elizabeth understand that just because he occasionally strayed from their bedroom didn’t mean he didn’t love her? Sex was like role-playing. He never forced her to be monogamous but deep down he knew that if he found out she was fucking someone else it would have hurt. A lot! Even with that knowledge, he couldn’t confine himself to only one woman. He wanted to have his cake and eat it too. He tried being open with her but concluded that certain things should’ve remained secret. Sex was an ego addiction similar to the one felt onstage. Different audiences, like different partners, were more challenging and made him work harder for the applause. Like drugs, he was addicted to the rush. Even with an empire at his disposal, money couldn’t buy him love, nor happiness, nor peace of mind. Nor Elizabeth. Looking around the large living room, a very disenchanted artist absorbed the modern decor. None of these possessions except a few token items had ever meant anything to Mayne. None of this @!#$ was real. He was surrounded by trophies of a game that had no meaning. And he was tired of playing games.

A sharp pain in his left ear sent him back to the dark corridor that led from stage to dressing room. Inside his ringing head, speakers feeding back ignited and exploded. He was experiencing another rock ‘n’ roll side effect, ear damage. The dull hum lasted only seconds but the memories of his final show with his former band, Suicide Shift, would never fade. For reasons he couldn’t remember, Elizabeth had been unable to attend the tour’s final show. The band had been on the road for the better part of fourteen months, over 285 concerts. Every few weeks Mayne had flown her to whatever city he was performing in and she’d stay for a few nights. The final concert of any tour is an important night. It was Suicide Shift’s first headlining tour and Mayne wanted to share the experience with her. It was the culmination of many miles traveled, many hours worked, and the celebration that went on afterward was well deserved. He called her several times to offer her plane tickets, trying to persuade her, but she couldn’t make it.

The gig was well over two hours of electric ferocity. Of course Mayne consumed plenty of drugs and alcohol before and during the show (he did every gig), but it was the Florida crowd’s enthusiasm and knowing that he’d be able to sleep for a month that gave him extra spark. Every time he took a solo, he tried to best any previous soloing effort. Every time he approached his microphone to sing backups, his voice surged with whiskey vigor. For him, this was rock ‘n’ roll at its best. The 4,000-plus crowd acknowledged this with deafening applause.

After the final encore, it was time to celebrate. Mayne wound up with two eager females in his hotel room. In the privacy of his bathroom he injected a little heroin. Not enough to make him nod out but enough to get him good and high. The two nubile females would only make him feel better. After struggling to get his wet brown suede pants off, he joined the nude women, and thus the revelry began. The dope clouded his not-so-good memory but Mayne remembered a very drunk Peter Terrance walking into the room. The band’s drummer had mistaken Mayne’s room for his own. In the spirit of celebration, Mayne offered him a girl. Terrance declined saying he’d find his own and left. The menage-a-trois continued. Shortly afterward there was a knock on the door. Thinking it was Terrance taking up the offer, Mayne called out, telling whoever was at the door to enter. Standing at the door with an overnight bag was Elizabeth. On the spur of the moment she’d flown from L.A. to Miami to be with him. A very bad scene played itself out. Elizabeth left broken and hysterical. That was the beginning of the end for their relationship.

Mayne snapped out of the past. His left knee popped loudly as he straightened his legs and headed for the phone. He pushed a button. Elizabeth’s number was still programmed and every now and then he pushed it just to hear her phone ring. Also in the phone’s memory was his record label, his manager, the three members of his current band, the Mayne Mann Group, and several drug dealers. After receiving no answer at Elizabeth’s, he pushed another button. His many bracelets clinked together and a few seconds later there was a reply.

“Yeah?” spat an unenthusiastic voice from a car phone.

“It’s me,” Mayne said, swallowing, cocaine dripping down his throat.

"My main man,” Jamie’s voice declared like a cash register ringing. “What can I do ya for?”

“Uptown and downtown.” Cocaine and heroin.

“No problem. You remember what I did for ya last night, right?”

“Yeah.” He didn’t.

“You owe me three bills from that @!#$, brother man,” the dealer explained just in case memory failed. I’m sure I got some change floatin’ around. If I can’t find some I’ll five ya my Versateller card and you can get what I owe.”

“Bet. I’ll be right up,” Jamie said as if he was doing Mayne a favor and hung up.

“@!#$’ prick,” Mayne mumbled to himself.

He lit up a cigarette and got himself another beer. The lid popped loudly and foam rose to the mouth hole. He watched, amused, then walked over to the black-out curtains and pulled the lever, letting bright sunlight invade his living room. “@!#$ you very much,” he loudly announced, squinting, and raising his middle finger to the sky. The view from his balcony was vast, displaying the City of Angels below, yet more often than not Mayne kept the curtains shut, preferring not to be a part of the world outside. It was safe inside his apartment. Against a far wall, tucked in the corner so that the ivory keys faced out toward the living room, was a vintage Steinway. He spent many pleasure-filled hours on the instrument, and even when he wasn’t playing, the piano gave him visual stimulation. It was an instrument of precision and grace. Next to the piano, resting comfortably on stands were half a dozen vintage guitars: Les Pauls, Stratocasters, and Telecasters. The guitars he kept in the apartment were the ones that meant the most to him.

The buzzer sounded, waking Mayne from his drifting thoughts. He went to the intercom and pressed the button that unlocked the front door. A few minutes later, Jamie Jazz was inside his apartment. Dozens of platinum and gold records adorned the walls. Hours upon years of planning, writing, recording, and struggling had reaped these round rewards. His songwriting stemmed from inner pains and his slower, more blues-influenced songs often dealt with personal hardships. Those were the songs he was most proud of and believed might stand the test of time. The faster, more hard-rock-oriented songs often had little significance or wore their meanings on their sleeve. Unfortunately, the awards were no longer awards without Elizabeth. Mayne excused himself and went into the bedroom. Hidden behind yet another platinum disc was a safe. He removed the disc from the wall, twisted the combination, and opened the safe. Inside were jewelry, documents, over four thousand dollars cash, a freebase pipe, and a loaded .357 Magnum. He grabbed a few C-notes and went back into the living room, leaving the safe shut but unlocked. Jamie was seated on the black leather couch, feet up on the marble coffee table, looking casual in Suicide Shift sweatpants (that he’d gotten from Mayne) and a matching sweatshirt. He’d helped himself to a beer.

“What’s the total?”

“Including last night? Six,” Jamie replied, fidgeting with the beeper on his waist.

Mayne handed him six bills and put the rest in his pants pocket. Judging by the look on his face, the dealer understood he wanted to be alone and took the hint.

“Call me if you need anything else,” Jamie offered, exiting the apartment.

The moment the front door clicked shut, Mayne’s mind rushed into overdrive but his body refused to move. He had drugs in hand, but instead of finding a syringe, he went back into the bedroom. Something in the wall safe more powerful than his addiction had caught his eye. He walked to the safe and pulled the door open. Inside was a photo album containing precious Kodachrome memories. Placing the drugs on top of the messy night table, he fell on the bed, and began flipping through the leather-bound book. Captured in photos were images and feelings so intense that it made him warm as well as suicidal. Elizabeth had challenged him intellectually while stimulating him sexually. She’d mothered him when he was sick, which was quite often. She’d set free inner feelings that he’d often tried avoiding. Her beauty, both inner and physical, was something he wanted; yet when she was his, he did everything conceivable to lose her.

He turned to the second page. He had no idea how many times he’d masturbated to this photo. Every other day perhaps. It was just a snapshot he’d taken of her while on vacation in Las Vegas. In photo form, the wind blew her long hair away from her face and she was smiling. Behind her was the Caesar’s Palace hotel where they’d spent the better part of two weeks in the penthouse suite. It was a typical tourist photo but it was her smile that turned him on. It was so free from pain. Mayne would do anything to have her smile for him like she had in the photograph. He’d do anything to have her lips, her body again. He unbuttoned his leather pants. Before beginning his self-stimulation, he pulled himself over to the night-table refrigerator and removed an unopened bottle of Dom Perignon champagne. The bottle opened with a loud pop and smoke billowed from the top, but no liquid spilled.

Sipping deeply from the bottle, he flipped through the photo album that was all too short, carefully avoiding the final page. He rarely looked at the last page. As always, he wound up back on page two. With the bottle two-thirds empty, he pulled his pants and briefs down to his knees and poured the remaining champagne onto his palms. This was part of the ritual. Fine champagne was something he and Elizabeth enjoyed sharing. He could still share it with her. As he took hold of his wet erection, his thoughts began to slip. It was during one of their final dinner dates that she had said something that inspired him to write the most beautiful song of his career. “I can’t live with you and I can’t live without you,” he could hear her saying as if it were just yesterday. Words flowed from pen to paper faster than he could write. Mayne concluded that this was his private way of explaining all that had happened between them. The song “Without You,” was not an apology, it was his side of the story. It was rock ‘n’ roll sincerity that sold over three million copies in the U.S., topping the record sales charts and putting the Mayne Mann Group on top of the rock world. He offered Elizabeth half of the royalties from the song because without her there would be no song. She politely declined. A sold-out Mayne Mann Group tour ensued. When the tour arrived in Los Angeles, Mayne desperately wanted to see her. No matter how many women he had, no matter how over her he told everyone he was, he’d do anything for her except let her permanently slip out of his life.

He’d called her a dozen times over the course of two days, leaving message after message on her answering machine. Even though she never responded, he’d left her ten All-Access passes at Will Call. She never showed.

After the show, Mayne vowed he wouldn’t make the same mistake twice. He quickly showered, changed into dry clothing, and left, avoiding all the backstage hoopla. He and his driver headed for Elizabeth’s apartment. Using the phone in the limousine, he dialed her from the street below
her apartment. Again he was greeted by a recorded message.

“Elizabeth, I know–I hope you’re there. I’m downstairs and even if I have to break down the door to see you, I’m willing. If you’re gonna call the cops, well, call ‘em now. . . I don’t expect anything from you. I don’t deserve anything . . . @!#$, I don’t even know what I’m trying to say other than I still care about you. Words can’t heal what I’ve done but, @!#$, the past is done...I really need to see your face again,” Mayne softly explained after the beep. The words still echoed in his mind as he wondered if he could’ve possibly phrased things differently. It was too late now, he thought, already inside the building. This was one of the rare occasions after a gig that Mayne was sober. As he arrived by way of elevator at her floor, he heard familiar music. The closer he got to her door the louder the volume grew. Then his world began to spin uncontrollably as a loud gunshot echoed through the hallway. He ran toward her apartment, lowered his shoulder, and with reckless abandon crashed through the wooden door. He’d found Elizabeth on the couch, bleeding profusely, most of her head splattered on the wall behind her. On the blood-sprayed coffee table in front of her was the answering machine, a ballpoint pen, and several crumpled balls of writing paper. He stood destroyed before her corpse. How could this have happened? All he had ever done was lover her. Devastated, he slowly walked over to the blaring stereo. A CD single of “Without You” was programmed to repeat. He wondered how many times she’d listened to the same song and shut the power off. Then he noticed that next to the answering machine was a note.

Number one with a bullet, the red-speckled note read.

Shaking and convulsing, his tears falling freely, Mayne began screaming at the top of his lungs. It sounded like someone had unleashed a wild animal. His shrieks threatened to break the windows. A migraine pierced his throbbing temples and his entire head was overloaded with pressure. Did she kill herself because they had failed or because he wouldn’t leave her be? Was it the song, one of the few things he’d ever done autonomously, that had driven her to this? Was this really happening? Then another thought came out mind. He removed the pistol from her hand and put it against his temple.

He was going to join her.

CLICK.

It was empty. Elizabeth had known she would only need one bullet.

Mayne snapped out of that nightmare and was thrust into another memory. He recognized the familiar room as the honeymoon suite in Las Vegas and almost felt at ease. The bed was in disarray and Elizabeth was smiling mischievously.

“What do you want to do?”

“Wha’?” Mayne responded, confused.

They’d already drunk several bottles of champagne and made love twice.

“What do you want to do?” she replied softly, daring Mayne to answer.

Mayne caught wind of her game and decided to play along. If she was giving him an option as to what they’d do next, he was definitely going to take advantage of her generosity.

“You can either come up here and tell me that you love me or go down on me.”

Elizabeth’s face registered joy. Words like love were the hardest to get out of Mayne’s mouth. Once again she smiled as she began her descent toward his waistline. It didn’t take her very long to bring him back to life. Several minutes later, when she sensed that he was as excited as he was going to get, Elizabeth looked up at her man and with the sexiest expression she would conjure, softy said, “I love you.”

Mayne came with a slight grunt. The powerful surge had given him something to work at but there was no pleasure in the orgasm. There never was anymore. He tossed the photo album aside and lay on the bed feeling dead, staring at the ceiling. For a split second, he thought he heard musical strands of “Without You” but it was only his imagination. His tired body lay there for what felt like a year before he sat up. At least the drugs on the night table were real. Everything he needed was on the table. Hidden beneath the clock radio was a syringe and a blackened spoon. There was a half-empty glass of water and a lighter next to it. In the spoon he mixed the proper amounts of heroin and water, and then, using the lighter, heated the bottom of the spoon until the mixture cleared up before placing a tiny piece of cotton into the spoon. With
unsteady hands, he added some cocaine and his speedball was complete. Being a high-profile celebrity, he couldn’t afford to have his withered arms tracked up too badly. He usually shot into the back of his forearms or his feet. He also injected into his neck but the way he felt right now, he had no time to dillydally. Like an expert acupuncturist, he fixed into a bulging vein in his forearm.

“Cool,” he mumbled, carefully examining his arm, as he felt the speedball coming on.

He fell back down on the bed. Between the drugs and his emotions, he was exhausted. It was a good thing drugs numbed away most of the pressures. He was rushing out as the drug hit him in powerful waves. It took several moments before he realized his left arm was touching something. He slowly rolled over. The photo album was opened to the last page. The last page contained Elizabeth’s obituary and a sympathy card. Tears he’d held in since that day began to flow down his cheeks. His pale face flushed as he felt his strength evaporating. He was drowning in sorrow but didn’t believe in self-pity and that made him feel even worse. He sat up hyperventilating with a question echoing inside his head. Why did she have to die? He had no answer and stood up too quickly. Why was everything so fucked? He went back into the living room. He needed whiskey.

Why?

He loved her so much.

Why?

He’d offered her half the royalties. Half. That was a financial empire, but she’d refused.

Why?

He’d tried to make amends. He’d tried being good according to society’s standards. He wanted to understand everything that had happened to them. He wanted her to love him but no matter how hard he tried, he fucked it up.

Why?

He wanted to be normal again but that wasn’t possible.

Why?

He wanted to feel closer to Elizabeth but she was dead. That tormented his fragile soul but for a split second of insane logic, Mayne concluded that his body should not be spared either.

“Arrrrrrggghh!” he growled, attacking his living room like a pissed-off brawler. Fists and feet attacked defenseless walls and furniture. He cocked his right fist back and a large hole went through plaster. He snatched an Oriental lamp off an end table and hurled it across the room. He violently threw a marble ashtray into a plaque, ruining both. Breathing heavily and drenched in alcoholic sweat, he grabbed a platinum record and smashed it, spraying glass shards everywhere. The shattered glass on the floor twinkled like sun-reflected sand. No matter how many hotel rooms he trashed during his career, Mayne had never harmed a guitar. That was strictly taboo until today. He walked over to the row of guitars, grabbed a ‘68 Stratocaster by its stringed neck and swung, smashing the mahogany body until it was little more than firewood. With each self-destructive act, he felt slightly better. He walked over to another platinum disc, readied himself and put his right fist through the glass. Blood spurted from the hand that was heavily insured by Lloyds of London. For the first time that day he smiled.

Mayne grabbed the Jim Beam bottle off the bar and guzzled. The liquid painkiller warmed his heaving chest and eased his bleeding hand, which looked like it needed stitches. He walked over to his Fischer stereo, and, using his good hand, turned on the receiver. The digital readout was locked on a classic rock station. It was the only safe station on the dial, since it never played any of his songs. Mayne Mann was too new, too current. The station only played material from the 60s and 70s. He instantly recognized the song playing; it was Humble Pie’s “I Don’t Need No Doctor.” It was raw rock like this that had inspired him to become a musician. Following the Pie were the Allman Brothers. Mayne could relate to what it felt like being tied to a whipping post.

During the commercials, he went into the kitchen to grab another beer. Out of his stereo speakers a record store chain announced its prices as the lowest in Los Angeles. The background music accompanying the record store commercial was “Without You.” His eyes stung but no tears fell as he realized that no matter where he was, he couldn’t hide from himself. Like a man on a mission, he walked over to the stereo, grabbed the receiver, and yanked with both hands. It took several strong tugs before the digital lights went off. With the receiver in hand, he stumbled backward, ripping wires and knocking over one of the large Bose speakers. Distraught and panting, he made his way to the giant sliding safety glass door that led to the balcony. He casually dropped the high-tech receiver and undid the latch that kept the heavy door locked. Fresh air attacked his senses. The cool breeze felt invigorating as he stepped out onto the balcony and looked over the edge. His jet-black Bentley sat gleaming in the parking lot directly below. He picked the receiver up, held it over the balcony, and aimed it at the car. After several seconds of wondering if his aim was accurate, he let go. Glass spidered wildly when the receiver hit the car’s windshield and broke through. He went to fetch the beer he’d been distracted from and ripped the refrigerator door open as hard as he could. It crashed open, spilling several items onto the floor. The door dangled by a hinge. Mayne grabbed a beer, chugged half, and like a strong-armed baseball pitcher threw it at his guitar collection, barely missing his favorite: a vintage ‘57 Sunburst Les Paul. He grabbed another can from the crippled refrigerator as his eyes returned to the guitars.

The guitars were like adopted children and he loved each one in a different manner. Certain guitars held certain memories but each guitar had the ability to create magic. It was that potential he respected and admired most about these guitars until this afternoon. Now, no matter how much he loved a certain guitar, or how valuable it might be, all he wanted to do was feel pain. Pain brought him closer to reality. It brought him closer to Elizabeth. He gave the world music, very good music, and asked for little in return. A little space to create, some kicks thrown in, and how about peace of mind? Instead, he had more material goods than he could ever use, more money than he could count, and nothing worth fighting for. There was a time not too long ago when he’d fought like hell for all of this. Now that he owned a piece of the rock he wished he could give it back. The view from the top wasn’t as picturesque as he’d imagined. What he did as his artistic expression, the record company sold for capital. He’d quickly grown disillusioned with the system but what else could he do? Without the industry he couldn’t share his music. No matter how hard anyone tried explaining it to him, musical notes would never equal dollar signs. He made music because since his early childhood, he truly loved rock ‘n’ roll. It was the people, his people, he wrote music for after he finished writing for himself. So then, why couldn’t he sleep at night?

He stared at the answer.

He was going to kill his guitars. If it wasn’t for these guitars, he wouldn’t have the problems he did. And he’s save the goddamn ‘57 Sunburst for last. He guzzled the beer, raising it away from his greedy mouth. Budweiser rained down the side of his face. When the can was almost empty, he crushed and spiked it like a football. Enraged, he grabbed a Les Paul Black Beauty and dealt it a quick but savage death against a wall. He raised a rare Telecaster over his head and clubbed the coffee table, breaking both. Then he picked up another Les Paul and, swinging it like a baseball bat, clobbered a lamp and several other objects before the guitar’s neck snapped off.

“@!#$’ cheap @!#$,” he grumbled.

He heard something that had a bit of rhythm to it. Was there a drummer playing in his head? It took several seconds for him to realize that one of the neighbors was pounding on the wall.

“WHAT, A LITTLE TOO LOUD FOR YA?” Mayne shouted at the direction the noise was coming from. It didn’t stop.

“YER PISSING ME OFF, @!#$!”

Knock-Knock-Knock-Knock-Knock.

"@!#$, I'm giving ya fair fucking warning," he said.

Knock-Knock-Knock-Knock-Knock.

Mayne walked into the bedroom and over to the night table. He grabbed his cocaine and poured a decent-sized mound on the back of his hand that wasn’t bleeding and snorted. Afterward he licked residue off his fist, numbing his teeth and gums. There was a pack of Marlboros on the table. He grabbed one and lit it. He took a deep drag and listened to his surroundings. The neighbor was still pounding. The ashtray was an overflowing mountain of dead butts so Mayne placed the cigarette on the edge of the night table. He had tried to avoid a confrontation, but the shithead next door wouldn’t let it lie. He went to his wall safe, grabbed the Smith & Wesson .357 Magnum, and charged out of the bedroom. “OKAY, HOMEFUCK, WANNA PLAY GAMES?”

Knock-Knock-Knock-Knock-Knock.

KABAMMM, KABAMMM, KABAMMM.

He unloaded three shots toward the already hole-ridden wall. The pounding stopped instantly. Again he smiled. He aimed the pistol at one of his platinum discs on another wall and blasted the shiny sphere. He aimed at his TV and blew it to kingdom come. One bullet left. He held the
silver-plated pistol in awe. He could easily join Elizabeth; all it would take was one quick squeeze of the trigger. The idea appealed to him. Maybe he’d get it right in his next life. Slowly,
eyes closed, he raised the pistol. The trigger teased his scarlet index finger. The barrel felt good against his temple. Readying himself, he reopened his eyes. In front of him, mocking him, were two more Les Paul guitars. There once was a point in his life when these musical embodiments were holy. The dedication and years of practicing were a labor of love. Guitars were his passion, his expression, and his ticket out of obscurity. But all of that changed with one song. Now these guitars were reminders that Mayne could never regain his innocence.

“Can’t I @!#$’ die with some dignity?” he wondered as rage consumed him.

He couldn’t even commit suicide without music somehow interfering. His shaking arm lowered and took aim at one of the guitars. There was heavy recoil as wooden fragments flew everywhere. He put a massive hole in the guitar, and then walked over to examine his accuracy. It was definitely dead, but that wasn’t enough. He picked up the remains and threw them against the safety-glass door. He walked over to the balcony’s edge. Below, a small crowd had gathered around his ruined luxury car.

“Anybody want an autograph?” he asked, tossing out the fragmented guitar.

“Wait a minute, wait a minute. I got another present!” he yelled, and ran into the bedroom. His heavy footsteps jarred the cigarette he’d forgotten off the night table. It smoldered on the thick rug. Mayne dug inside the wall safe, grabbed a handful of hundred-dollar bills, and ran back to the balcony before his audience could scurry away.

“Don’t say I never gave you anything,” he announced, letting the money fly.

Several wary spectators stepped backward but as soon as it was obvious that the confetti was currency, they rushed forward. Mayne waved to the small crowd and went back inside.

One guitar remained.

He stared at the ‘57, marveling at the beautiful colors. It was appropriately called a Sunburst. Reds, oranges, and yellows swirled in the wooden body. This one had gold trim as well as golden pickups. The Sunburst was his preference of all guitars. He had another two dozen in storage but this guitar was the first thing he bought after Suicide Shift was signed to a recording contract. It was how he’d rewarded himself for having “made it.” This was also the guitar he’d written the music to “Without You” on. He approached it with caution and respect and gently picked it up. He sat down on the floor Indian style. Deep down, he was glad he hadn’t destroyed this ax. His picking hand hurt badly, but he wanted to play. Blood dripped off his hand and dripped down the guitar’s body. Enthralled, Mayne watched it run. No matter how intoxicated he was, his fingers never betrayed him, and this particular guitar always responded to his call. He began picking something that sounded like Hendrix. He paused abruptly. Something about that last guitar run shook him up and he couldn’t continue. In a vague way, it reminded him of a part in “Without You.” After taking a deep breath, Mayne partially regained his composure. Multimillionaires like Mayne Mann aren’t supposed to cry. They’re beyond tears or at least that’s what society wants to believe. Mayne Mann was just Stephen Maynard Mandraich, a talented kid who could run his nimble fingers along a piece of stringed wood. He began to strum one of his favorite riffs, Thin Lizzy’s “Don’t Believe a Word.” Even though the guitar wasn’t amplified, he could hear it as if it was. He let the last note ring out as he stopped and reflected. He used to love the feel of this instrument in his hands. He used to love making the strings come to life. He used to love just holding this guitar. Then his mind viciously reminded him that he’d also loved the way Elizabeth felt. He quickly rose off the floor and tossed the guitar aside. It landed with a loud DWWWAANNNGGGG.

He stared blankly at the guitar and thought of her. Both had given him so much pleasure, but he’d never been able to properly express his gratitude. He never told her the truth about how she made him feel, about how much he loved her, and when he did, the song reaffirmed that he should’ve kept his mouth shut. At least she’d still be alive. But the song was pure and he wanted to play it for her. Even if her physical body wasn’t present, he could still sing to her in heaven. He wanted to jam but was afraid to touch the guitar.

Then Mayne saw an alternative. He scooped up the almost-dead whiskey bottle and finished what little was left. It slipped silently from his hand. Very drunk, very drugged out, he staggered over to the piano. The smoldering cigarette on the bedroom rug had burned its way over to the goose-down comforter. The cover caught and flames quickly spread throughout the bedroom. Discarded clothing acted as kindling and soon the bedroom was on fire. Until several hazy hours ago, Mayne’s life, no matter how miserable, had been something most people could only dream about. It was all an illusion, and he was one of rock ‘n’ roll’s elite, a hero. Now, he’d been reduced to his basic self and nothing really mattered. He felt the thorns wrapped around his heart and for the first time in far too long, felt human again. He’d smothered his spirituality in drug abuse. He’d stunted his health and personal growth with vice. He’d blinded himself because he was afraid to see that his purpose, his gift in life, was to be true to himself. And the only time he was able to find that inner truth was when he played his music. He softly tapped the ivory keys, making melodies come to life through his fingers. No matter how badly his hand hurt, he persisted in making music. He was determined to play for Elizabeth and all the other angels. With every fluid run, every harmony, every musical accent, his inner pain subsided a little. With each passing musical note, he became one with the music.

Sweating profusely, Mayne felt something stirring behind him. He tried ignoring it for as long as possible. Finally, he turned and saw large flames billowing out of his bedroom. At first he thought it was a hallucination but the fire was scorchingly real and heading his way. His favorite guitar was already engulfed and dying. He wanted to save it but couldn’t. He refused to let his jamming be interrupted. Elizabeth was listening. Every time his fingers pressed the Steinway’s keys, crimson stained the ivory and smeared. He ignored the small red spots, sliding his long fingers through them. Scarred-up veins bulged from his forearms a sweat ran down his face. All he’d ever wanted to do with his life was play his music and now he was. For the moment, he felt free from his demons. He built up the courage and began singing “Without You” in his natural gruff voice. The thick carpeting quickly became a wall-to-wall inferno as a giant wave of fire rose up and spread around the piano. He couldn’t have cared less. As flames swallowed the apartment, Mayne never screamed and never missed a note.

Guns N Roses...Novemvber Rain...

Well now...everyone has heard of Guns N Roses...they need no introduction and I am not writing one! What everyone has not heard of is Del James, the friend of Axl Rose (the founder of Guns N Roses). Del James is a music journalist and also the road manager of the band. He wrote a story "Without You" which inspired the epic video of the well known GNR song "November Rain".

The lyrics of the song is featured here:

When I look into your eyes
I can see a love restrained
But darlin' when I hold you
Don't you know I feel the same
'Cause nothin' lasts forever
And we both know hearts can change
And it's hard to hold a candle
In the cold November rain
We've been through this such a long long time
Just tryin' to kill the pain
But lovers always come and lovers always go
An no one's really sure who's lettin' go today
Walking away
If we could take the time to lay it on the line
I could rest my head
Just knowin' that you were mine
All mine
So if you want to love me
then darlin' don't refrain
Or I'll just end up walkin'
In the cold November rain

Do you need some time...on your own
Do you need some time...all alone
Everybody needs some time...on their own
Don't you know you need some time...all alone
I know it's hard to keep an open heart
When even friends seem out to harm you
But if you could heal a broken heart
Wouldn't time be out to charm you

Sometimes I need some time...on my
own Sometimes I need some time...all alone
Everybody needs some time...on their own
Don't you know you need some time...all alone

And when your fears subside
And shadows still remain, ohhh yeahhh
I know that you can love me
When there's no one left to blame
So never mind the darkness
We still can find a way
'Cause nothin' lasts forever
Even cold November rain

Don't ya think that you need somebody
Don't ya think that you need someone
Everybody needs somebody
You're not the only one
You're not the only one.


In my next post I will be uploading the story "Without You".

The Masque of the Red Death

As promised in my last post, I am providing the store of The Masque of The Red Death here as written by Edger Allen Poe. I found this story on the internet. I leave it for the reader to correlate this to the lyrics of And When He Falleth...Incidentally Wikipedia has a good coverage of the story. One might want to check it out as well. Well, here you go......


THE "Red Death" had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal -- the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death."

It was toward the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.

It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven -- an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different; as might have been expected from the duke's love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue -- and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange -- the fifth with white -- the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet -- a deep blood color. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire that protected its rays through the tinted glass and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colors and effects. He disregarded the decora of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm -- much of what has been since seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these -- the dreams -- writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away -- they have endured but an instant -- and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise -- then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood -- and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its role, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood near him -- "who dares insult us with this blasphemous mockery? Seize him and unmask him -- that we may know whom we have to hang at sunrise, from the battlements!"

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly -- for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple -- through the purple to the green -- through the green to the orange -- through this again to the white -- and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry -- and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave-cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The following are the poster of the movie:


Tuesday, May 11, 2010

And When He Falleth...

In my previous post, I talked about the band "Theatre of Tragedy". Their album Velvet Darkness They Fear has a song "And When He Falleth..." the lyrics of which are featured here. A discussion follows...


"Be my kin free fro carnal sin,
Bridle the thoughts of thy Master."
"There hath past away a glore fro the Earth;
A glore that in the hearts and minds of men,
Men demented - blindfolded by light,
Nourisheth as weed in their well-groomed garths."

"Might I too was blindfolded ere,
"The quality of mercy and absolution,
Tho' years have master'd me
Whence cometh such qualities?
A masque of this to fashion:
Build thyself a mirror in which
Seer blest, thou best philosopher!"
Solely wanton images of thy desire appear!"

"'Tis the Divine Comedy -
"'Tis the Divine Tragedy -
The fool and the mocking court;
The fool and the mocking court;
Fool, kneel now, and ring thy bells!
Fool, kneel now, and ring thy bells!
We hold the Earth fro Heaven away."
Make us guffaw at thy futile follies,
Yet for our blunders - Oh, in shame;
Earth beareth no balm for mistakes -
We hold the Earth fro Hell away."

[Dialogue:]

[Male Voice]
That cross you wear around your neck;
is it only a decoration, or are you a true Christian believer?

[Female Voice]
Yes, I believe - truly.

Then I want you to remove it at once!
- and never to wear it within this castle
again! Do you know how a falcon is trained my
dear? Her eyes are sewn shut. Blinded temporarily
she suffers the whims of her God patiently, until
her will is submerged and she learns to serve -
as your God taught and blinded you with crosses.

You had me take off my cross because it offended....

It offended no-one. No - it simply appears
to me to be discourteous to... to wear
the symbol of a deity long dead.
My ancestors tried to find it. And to open
the door that separates us from our Creator.

But you need no doors to find God.
If you believe....

Believe?! If you believe you are...gullible.
Can you look around this world and believe
in the goodness of a god who rules it?
Famine, Pestilence, War, Disease and Death!
They rule this world.

There is also love and life and hope.

Very little hope I assure you. No. If a god
of love and life ever did exist...he is long since dead.
Someone...something rules in his place.

[sung:]
"Believe? In a deity long dead? -
I would rather be a pagan suckled in creeds outworn;
With fairytales fill'd up in head;
Thoughts of the Book stillborn."

"Shadow of annoyance -
Never come hither!
...And when He falleth, He falleth like Lucifer,
Never to ascend again...
Never to ascend...again"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The song as I perceive it is a kind of play with two characters talking to each other. It starts with the girl calling out to all those who listen to join her (be her kin) and be against the carnal or cardinal sins. She asks the listener to bridle or improve or to decorate the thoughts of the Master, referring to God. The male voice calls out speaking of the Light. He says that there has passed from Earth a glore that has been in the hearts and minds of men and have made them lose their minds. This Light has blinded people and has taken over their well nourished garden of thoughts like a weed. He goes on to narrate that he too was once blinded by the Light but the years have matured him and made him his own master. He calls out for a masque to be made with a reference to the blessed seer being the best philosopher. I take these lines to mean that he is calling himself a seer: the one who has seen the Absolute Truth (that being that there is no God) and asks a masque to be fashioned like himself for men. In the background the girl sings praises of God's qualities of mercy and being the absolute one who can liberate from guilt and punishment. She asks (in all probabilities to the man) as to where do these qualities come from and asks the listener to build for himself a mirror in which the images of his desire appear (which I take to mean confession).

Then the duo correspond in antagonism. The girl calls it the Divine tragedy while the man calls it to be the Divine Comedy. They describe the scene of a Prince or a King sitting on the throne with the courtiers surrounding him and a jester or a buffoon (popularly called a fool; fools were present in courts to provide entertainment) is facing the court. The fool is asked to kneel and entertain so that everyone laughs out in fits of laughter at his follies or foolish acts. However, the girl notices that it is in fact not the fool who is being laughed at for it is shameful to think of all the blunders that we are doing (referring to the Satanic King or Prince who is in this scene.) She says that this Earth has no balm for mistakes or that once a mistake is done, then there is no balm or soothing thing to soothe or heal the wounds of that mistake (yet again making a reference to the Satanic and barbaric thoughts of the King or the Prince). The duo says that they hold the Earth. However, the girl shuns away from Hell while the man embraces Hell.

What follows after this is a dialogue from the movie "The Masque of The Red Death" which was made based on the story of the same name by "Edger Allen Poe". (I will come to it in a little while).

The man asks the girl as to why should he believe in God who is long since dead? He says that he would prefer to be a pagan believing in the creeds of the out of date world (basically meaning that he would rather believe in Satan than God). He says that the minds of men are full of fairytales and he makes a reference to the Bible saying that the thoughts are stillborn that is to say rather static and according the the Book (The Bible) and that the men are not ready to embrace the thought that their Master is dead and Satan rules in his place. The girl ends the song by banishing all such thoughts and asking the "Shadow of Annoyance" (the man and his beliefs) not to corrupt her. She says that when such people and their beliefs fall, they fall like Lucifer (the fallen Angel sometimes also referred as Satan) never to ascend or arise again.

In the entire discussion I have referred to the King or the Prince. One might wonder why so. Well, as mentioned above, the dialogue portion is from a movie and the movie is based on a story. So I read the story and found that the song can be better interpreted keeping that backdrop in the mind. So in my next post I am upoading the story so that it becomes clear to you as well...

Theatre of Tragedy

There is an interesting band I found: "Theatre of Tragedy", a Norwegian band. The band is best known for its use of contrasting vocals: male death grunts and "bright" female vocals; commonly referred to as the beauty and the beast vocals. Till date the band has released eight albums with one of the eight being a live album. The most admired albums are: the self titled album that was their debutant, Velvet Darkness They Fear and Storm. The band has been around for almost 17 years now.

The most wonderful thing that sets this band apart from the usual death, doom and gothic metal bands is the use of Early Modern English in their initial albums: mainly in Theatre of Tragedy and Velvet Darkness They Fear. Now, I agree this isn't the most remarkable thing and there would be a lot of bands that do that but this combined with the power of lyrics, beautiful music and the beauty-beast vocals: now that is something not every band has.

The lyrics (and I am talking about their album Velvet Darkness They Fear) usually do not have a clear theme or meaning but they have elements from folklore with prominent supernatural elements being present. One of the nine songs presented is in German and trust me, it's a must listen to. As far as other albums are concerned they have some wonderful songs as well and lyrics are strong. In short, the band won't disappoint you...

The official website of the band has the name: From The Pages of Tragedy. However given their name, I didn't find the lyrics so "Tragic". The names of the songs are just brilliant. Some of the names which really appeal to me are: Der Tanz Der Schatten (The Dance of The Shadows), And When He Falleth..., Black As The Devil Painteth, Bring Forth Ye Shadow, A Hamlet For A Slothful Vassal, Ashes and Dreams etc etc.

Band Members:

Raymond István Rohonyi - Vocals, Programming, lyrics
Nell Sigland - Vocals
Frank Claussen - Guitar
Vegard K. Thorsen - Guitar
Lorentz Aspen - Keyboards
Hein Frode Hansen - Drums

Former Members:

Liv Kristine Espenæs Krull - Vocals
Tommy Lindal - Guitar
Tommy Olsson - Guitar
Pål Bjåstad - Guitar
Geir Flikkeid - Guitar
Eirik T. Saltrø - Bass

Discography:

Albums:

Theatre of Tragedy (1995)
Velvet Darkness They Fear (1996)
Aégis (1998)
Musique (2000)
Closure: Live (2001)
Assembly (2002)
Storm (2006)
Forever Is the World (2009)


Singles and EPs:

Theatre of Tragedy (demo) (1994)
Der Tanz Der Schatten (single) (1996)
A Rose for the Dead (EP, 1997)
Cassandra (single)(1998)
Virago (EP)(1999)
Image (single) (2000)
Inperspective (EP) (2000)
Machine (single) (2001)
Envision (single) (2002)
Let You Down (single) (2002)
Storm (single) (2006)
Deadland (single) (2009)
Addenda EP (2010)